(This is something that gets misused a lot in screenplays. If he or she walks outside and we stay inside for a moment before cutting to the character, it is not continuous. If your character walks outside and we follow, then it is continuous. Do not use it when you are indicating something is happening at the same time in a different location. Each slug line contains three pieces of information. Of course, the dialogue is still formatted the same way as normal.Ĭontinuous is ONLY used when you are following the character through to a new location. In a screenplay, slug lines are used to denote the beginning of each a new scene. Notice that the action is indented to the level of the heading and not flush with the left edge. Or, if you don't think that looks very organized, you may include scene headings for each shot. There's something about cleaning that calms me down. Note you may need to add the "cont'd" manually to the dialogue since your screenwriting software will not do this automatically across scenes.Īccording to The Hollywood Standard by Christopher Riley (2nd Edition, pages 54-56), the simplest way to set up montages is with a scene heading of MONTAGE or SERIES OF SHOTS followed by the content separated into paragraphs. The fact the scene is continuous should be obvious already. HARRODS LONDON - CONTINUOUSīut in this example, doing that hides the fact the second scene is at night, which is likely to be far more useful for a reader to know. Some scripts will use CONTINUOUS as the tag on the second scene. In a Boston bar, six alcoholics stare at the TV through glassy eyes.Īn old couple hold each other tight watching the same report on a TV in the window. If you want to add a little more colour into each of your locations, or you want to use any of the cast characters it's safest to break up into different scenes. This could be filmed outside the main production schedule, in which case it might have its own documentation and not rely on the script for a clear breakdown.Įxpanding a bit now I'm on a proper keyboard: In a later production draft it might get broken into individual scenes for the sake of scheduling, or it may not. Then relate the story as if it were happening on a single screen. TVs around the world, in bars, homes, and storefronts relay the same news story. If it's a spec script and breaking it down into multiple scenes would be unnecessarily burdensome on the reader, you may simply write: INT/EXT.
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